印象派 绘画与革命 The Impressionists - Painting and Revolution (2011)

  • 导演: Susan Doyon
  • 编剧: Waldemar Januszczak
  • 类型: 纪录片 历史
  • 制片国家/地区: 英国
  • 语言: 英语
  • 片长: 60分钟
  • 上映日期: 2011-11-08
  • 集数: 4
  • imdb网址: tt3365456
  • 印象派 绘画与革命剧情简介
      Gang of Four
      Episode 1 of 4
      Duration: 1 hour
      Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever.
      Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them.
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      Painting outdoors
      Episode 2 of 4
      Duration: 1 hour
      Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading.
      This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time.
      Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang.
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      Painting the People
      Episode 3 of 4
      Duration: 1 hour
      Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people.
      Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera.
      Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism
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      Final Flourish
      Episode 4 of 4
      Duration: 1 hour
      This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point.
      Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes.
      There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence.
      Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France.
      The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

    标签:  纪录片 BBC 印象派 艺术 艺术史 英国 美术 Documentary
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    安德  2012-11-24
    果然我还是最喜欢修拉了。蛮有摇滚风格的纪录片,些许别扭,内容还是很丰富的。印象派也算是科技的产物吧哈哈。
    Tooru  2012-10-25
    杉小爱|好姑娘,咱们走起来  2012-12-20
    苦大仇深臉的主持人深入浅出地幽默著。知道了以前不知道的印象派。始於莫奈,終於莫奈。
    国际老年痴呆日  2014-01-24
    好久好久没看纪录片了啊!!bbc的主持都是在身体力行的卖萌么,英国和法国是有多爱互相寒碜呐~美院出来的三句不离印象派,看完觉着其实正经了解的也没几个,可能主要是其他的更不知道 = =